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Ryoichi Kurokawa installation 2011. The experimental audiovisual project proposed in “ground” is conceived as a mix of a documentary film and a visual music performance. It is based on the collaboration between the Japanese audiovisual performance artist Ryoichi Kurokawa and the Belgian tv-news cameraman/director Daniel Demoustier, both internationally renowned actors in their own fields.

Ryoichi Kurokawa installation 2010. rheo: 5 horizons’ is an audiovisual installation which is composed of 5 flat-panel-displays and 5 multi-channel speakers. Each vertically long imagery pairs with each mono channel sound. And each video is synchronized with each audio. They are juxtaposed in line like a 5-member ensemble and behave as 5 independent audiovisual apparatuses.

Quayola installation 2010. “Topologies” is an instalment of the “Strata” series. Yet, unlike the previous “Strata” pieces, “Topologies” does not describe a process of transformation, but rather focuses into the observation of objects that are already fully transformed.

Installation by Mattia Casalegno in 2010 with custom electronics, custom software, microphone and fresh sod The Open is a sensorial wearable device forcing you to smell grass and to hear your own breath. Equipped with fresh turf and headphones, this mask inhibits the visual system while enhancing the olfactory one thanks to the proximity with …

Ryoichi Kurokawa installation 2009. “This work focuses on the womb, and on babies’ speed and time conception that is very different from ours.” (Ryoichi Kurokawa)

Installation by Quayola 2009. Strata #3 consists in a film, site-specific installation and series of prints focusing on neoclassical Grand Théâtre of Bordeaux.

Quayola installation 2009. Strata #2 consists of a film and site-specific installation focusing on French Gothic art and architecture (Notre Dame, St. Eustache)

Quayola installation 2008. “Strata” is an ongoing project started in 2007, combining a series of films, prints and site-specific installations.
The term “strata” defines a geological formation constructed of multiple layers of rock. It refers specifically to the idea of relative time, whereby each layer is differentiated from the next through its definite characteristics, its porosity, its texture, its colour and composition…

Ryoichi Kurokawa installation 2008. When looking at the city, we might unconsciously direct our attention to the sense of smell rather than to the one of sight.

This multi-screen installation work is composed of the fragments of memory of the city as the ‘eye of the city’. The eyes taken on the world should peel off the surface of the city while the sense of smell should build up the new depth. In this work, the trace of memory and perception would reconstruct the city while concrete images are abstractly and poetically translated.