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For this 5th SHARE, we will attempt diversity, don’t forget that you are making it! Perform the web or the world, the analogue or the digital, but first of all, mix it all!

Workshop and presentation by OSP in 2009. OSP will conduct a workshop/open-source jam-session and give a presentation in which they will further explore and explain the system and concepts behind the project Cimatics.font.

Together with Cimatics Festival a long-awaited SHARE Brussels gathering is back at iMAL! This time on a Tuesday evening (not to miss the rest of the festival) where you will be able to show your last patches and other sets.

SHARE Brussels comes back with a special 8bit evening!
SHARE is intended to improvisation between sound and visual artists from the broad digital world, with an emphasis on experimentation.

The second edition of SHARE in 2009, SHARE is a new form of multimedia open jam-session! It brings together audio and video jammers; but not only digital artists as it is also open to dance, music and other performing arts.

SHARE is a free multimedia jam open, not just for digital artists, but for all new culture lovers. Participants bring their portable equipment, plug into our system, improvise on each others’ signal and perform live audio and video. Observers and Walk-ins are welcome.

The Masterclass Live A/V meeting in May 2008. Because the biggest merit of live A/V is its cross-border and cross-disciplinary character, the Masterclass challenged its 12 international participants to do just that: collaborate.

The Masterclass Live A/V meeting in January 2008. VJ Theory and Jerry Galle will be presenting their two conferences, respectively entitled: “Theories and Practices of Interaction in Physical and Virtual Space” and “Logic doubles Logic”.

DVD project by Michael Landeger (AT) and Mattia Casalegno (IT) in 2008. A project to set a series of site-specific light interventions in old and abandoned buildings, treating those places as “disturbed” architectural monuments revealing their past and suggesting their probable future.

The Masterclass Live A/V meeting in 2008. Because the biggest merit of live A/V is its cross-border and cross-disciplinary character, the Masterclass challenged its 12 international participants to do just that: collaborate.