Fri, 20 Nov
Video Vortex at NightScreenings / TUK + Kurt D'Haeseleer (live) / Constant Dullaart / DJVJ
y
With performances, artist presentations and a film-screening program Video Vortex is expanding into the night. In an effort to overcome the limitations of a traditional conference setup, Cimatics invites everyone for a Friday night add-on where you can experience some remarkable artistic approaches, consequences and interpretations of the online moving image.
yRegistration required, reserve your ticket: by email. Doors
normal: 7,5 euro
reduced: 5 euro
Pre-sale info:
This programme is part of Video Vortex Conference DAY I
Korte Brigittinenstraat / Petite rue des Brigittines - 1000 Brussels
TUK + Kurt D'Haeseleer (LIVE)By TUK + Kurt D'Haeseleer21:30 → 22:15
Belgium (2009)
performance
Tuk's music is dark and beautiful, it tells a sonic story through a weird world of dissected and strangely reassembled pop music, translated onto the screen by the intense experimental visuals of Kurt D'Haeseleer.
Tuk, pseudonym of Guillaume Graux, is a computer musician while Kurt D'Haeseleer is a young pixel artist. Their never ending laptop tour started in 2003. Besides their live performances, they worked together on several dance projects, installations and videos (Popsteroids, Scripted Emotions, Lullaby, Archaic Smile, etc).



Notre-Cam de PARIS By Albert Figurt21:30 → 22:00
Italy (2009)
meeting
Magnificat anima mea Dominum vs My magnifying tool dominates
Lev Manovich opened the latest Video Vortex in Split with a brainstorming resume of his latest MIT achievements, speaking also about the most photographed places in America - detected via a Flickr probing. Albert Figurts perspective is similar, or maybe just completing: he tries to show how one of the most attractive stained glass windows of the Notre-Dame de Paris is obsessively captured by all kinds of flashing little machinery.

Constant Dullaart22:00 → 22:30
Netherlands (2009)
projection
Contemporary Semantics Beta Video Program
Constant Dullaart is an artist who teaches at the Gerrit Rietveld academy and curates several events in Amsterdam, such as the Lost and Found evenings. In his 'contemporary semantics beta video program' he will present his (and related) artist practices. By screening a collection of videos he will focus on the new semantics within art and the wider image culture dialectics, arising from the use of digital means.
When Dreams Turn Into Data
screening
With the digital invading every creative enterprise and form of expression, pencils have become pixels, dreams have turned into data. While cinema's obsession with the 'holy grail' of photorealism has generated a blizzard of visual extravaganzas aimed at a suspension of the distinction between representation and simulation, a generation of DIY bricoleurs use ubiquitous 'tools of vizuality' (Kevin Kelly) to explore alternative viewings and readings of the familiar. Through processes of transference, translation and combination, they encode, reveal or impose layers of information and deceive expectations about visibility and availability. Poking the surfaces of various images, sounds and symbols, their renderings create poetic, playful and often melancholic environments that are both alien and familiar, questioning our relation to images and our imagination.
(in collaboration with Courtisane - www.courtisane.be)


20:30 Beep Prepared
20:35 Hip-Hop Movie
20:39 Text Field
20:40 (>'.')>=O____l_*__O=<('.'<)
20:42 Collision
20:45 RGB XYZ
20:58 All Through the Night
21:04 Rogue State
21:07 I've Got a Guy Running
21:15 Paths of G
21:16 Lossless #5
21:19 Papillon D'Amour
21:23 Starship
21:27 Jed's Other Poem